Latest MUSED Article – Should We Ditch ‘LGBT’ For ‘GSD’ (Gender And Sexual Diversities)?

Image courtesy of MUSED.

 
In my latest article on MUSED, I ponder whether we should change “LGBT” to “GSD” (Gender and Sexual Diversities.  Pink Therapy, a London-based advocacy group recently featured in The Huffington Post, suggested that we use GSD as an alternative because it is more inclusive and speaks to the larger groups who may not fall into or easily identify with LGBT.  For more of my commentary, please check out “Should We Ditch ‘LGBT’ for ‘GSD’ (Gender And Sexual Diversities)?” on MUSED.


MUSED Magazine Online is a pioneering “digital destination for lifestyle, entertainment & culture for modern black gay men.  MUSED serves as a collective of experiences and issues we care about” (see About MUSED).  Its mission is to raise the level of consciousness for our community and provide reliable, relevant, interactive, and engaging content for its readers.  MUSED is the only weekly online magazine for black gay men.


Major thanks and props to Drew-Shane Daniels and the MUSED family for featuring the article! 


Follow MUSED on:  Facebook | Twitter

Follow BuddahDesmond on:  Facebook | Twitter

Peace, Love, and Many Blessings!

~ BuddahDesmond

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Mint Condition – The Definition of a Band

Image courtesy of the Centric.
I was beyond pleased to see Mint Condition featured in an episode of TVOne’s latest season of “Unsung.”  Dubbed “the last great Black band,” Mint Condition has carried on a musical tradition that burgeoned in the 1970s and 1980s with groups like Earth, Wind, & Fire, The Ohio Players, and Slave.  For over 20 years, they have captivated audiences with high-energy performances and “Gumbo,” a term they use to describe their music (which is a seamless blend of R&B, Funk, Rock, Jazz, Latin and Caribbean music).

I’ve been a fan of Mint Condition since the age of 9.  The first tune I remember hearing was their No. 1 signature hit, “Breakin’ My Heart (Pretty Brown Eyes).”  In the early 90s, there was nothing on the radio that sounded as organic and soulful as that tune or the follow-up Top Ten R&B hit “Forever In Your Eyes.”  Though competition in the 1990s with groups (like Boyz II Men, Jodeci, Silk, and Shai) was quite fierce, Mint Condition remained true to themselves and made music that spoke to their souls.  Their music is affirming, heart-warming, and emotionally acute.  To this day, songs like “If You Love Me,” “What Kind Of Man Would I Be,” “Someone To Love,” “U Send Me Swingin’,” “Single To Mingle” “This Day, This Minute, Right Now,” and “You Don’t Have To Hurt No More” give me the chills.  That’s the effect of music when it’s real, heartfelt, and timeless.

Many musical trends have come and gone, but Mint Condition’s music is as vital and relevant as ever.  Like many groups/bands, Mint Condition has experienced its share of trials and tribulations.  Yet, they’ve remained committed to themselves and the music.  After 8 albums and several hit singles, it’s easy to say the best is yet to come!

Mint Condition Releases:
Meant to be Mint (1991)
From the Mint Factory (1993)
Definition of a Band (1996)
Life’s Aquarium (1999)
Livin’ the Luxury Brown (2005)
Live from the 9:30 Club (2006)
E-Life (2008)
7… (2011)
Music @ the Speed of Life (2012)

Compilations:
The Collection: 1991-1998 (1998)
20th Century Masters: The Best of Mint Condition (2006)

Related Post:
Day 55: Black Music Month – Mint Condition

Latest MUSED Article – Looking For Black Leadership? The Savior Lies Within

Image courtesy of MUSED.
In my latest article for MUSED “Look For Black Leadership? The Savior Lies Within,” I propose the (urgent) need to look within ourselves to find the leadership we so desperately crave.  Some of us have penchant expectations that our leaders are the answers to fix the many ills which plague our community.  While leadership is an important part of the process, we cannot deny the power we have to create the change we wish to see.  For more, check out my article on the MUSED site.  Feel free to share and comment!

MUSED Magazine Online is a pioneering “digital destination for lifestyle, entertainment & culture for modern black gay men.  MUSED serves as a collective of experiences and issues we care about” (see About MUSED).  Its mission is to raise the level of consciousness for our community and provide reliable, relevant, interactive, and engaging content for its readers.  MUSED is the only weekly online magazine for black gay men.


Major thanks and props to Drew-Shane Daniels and the MUSED family for featuring the article! 


Follow MUSED on:  Facebook | Twitter

Follow BuddahDesmond on:  Facebook | Twitter

Peace, Love, and Many Blessings!

~ BuddahDesmond

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Latest MUSED Article – Upgraded Charges in FAMU Robert Champion Hazing Death Case

Image courtesy of the GLSEN Blog.
New developments came in the FAMU Robert Champion hazing death case.  Charges were upgraded to manslaughter for 12 of the defendants this week.  Robert Champion was a FAMU drum major who was viciously beaten to death by his fellow band members on a parked bus in Orlando, FL in November 2011.  There are claims that Champion, who was a vocal opponent of hazing and openly gay, may have been brutally beaten also because of his sexual orientation.  To find out more, read my article on MUSED, “Upgraded Charges in FAMU Robert Champion Hazing Death Case.”

MUSED Magazine Online is a pioneering “digital destination for lifestyle, entertainment & culture for modern black gay men.  MUSED serves as a collective of experiences and issues we care about” (see About MUSED).  Its mission is to raise the level of consciousness for our community and provide reliable, relevant, interactive, and engaging content for its readers.  MUSED is the only weekly online magazine for black gay men.


Major thanks and props to Drew-Shane Daniels and the MUSED family for featuring the article! 


Follow MUSED on:  Facebook | Twitter

Follow BuddahDesmond on:  Facebook | Twitter

Peace, Love, and Many Blessings!

~ BuddahDesmond

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The Music Of Life (from ‘Prevail’)

 
Life is so complex,
Like the rhythms and melodies of jazz.
It’s ambiguous,
Always open to interpretation,
Constantly moving and changing, like the syllables of improvisational scats.

Each hour marks a line
Which all compile to create each day’s song:
Sometimes fast,
Sometimes slow,
Sometimes upbeat and jubilant,
Sometimes moody and melancholy.
The lyrics tell your story.

The situations, tasks, and events of the day are the notes.
You embody an instrument that plays accordingly.
Some days you may be at the top of the charts;
Other days you may not even chart at all.
Nothing ever really stays the same.
That’s the joy of opening your eyes to a new day.
One never knows what lies ahead.

So when you get right down to it,
Life is a series of albums that detail
The colorful phases of your growth, development, and experiences,
All of the hits and misses,
All of the highs and lows.
That’s the music of life.

© 2012 BuddahDesmond 

“The Music of Life” is featured in the “Life” section of Prevail: Poems on Life, Love, and Politics. Prevail is available at iUniverse, Amazon (Paperback | Hardcover | Kindle), Barnes & Noble, Book-A-Million (Paperback | Hardcover), and other retailers.    

Related Post:
101 Days Project: Prevail

Happy Birthday Teena Marie

 Image courtesy of the That Grape Juice site.

Music is meant to inspire/To elevate you and to take you higher/Like the prophets spoke words to my soul/Letters of love like silver and gold/…Sign myself to you forever. ~ Teena Marie, “Luv Letter,” Beautiful (2013) 

I spent countless days spinning Teena Marie LPs as a child.  Funny how not much has changed even as an adult.  Her performances on songs like “Cassanova Brown,” “Shadow Boxing,” “Portuguese Love,” “Deja Vu (I’ve Been Here Before)” and “If I Were A Bell” held me captive.  Her sophisticated funk on “Square Biz,” “Lovergirl,” “Playboy,” “Midnight Magnet,” “It Must Be Magic,” and “Behind The Groove” rocked me deeply.  There was something about her that was so special and unique, that it emanated from every note she wrote, played, and sang.  You could feel her soul in each musical thread from 1979’s “Wild and Peaceful” to 2013’s “Beautiful” (her final studio album).  These threads wove a beautiful tapestry that will live on beyond her years.

Her artistry is/was amazing.  Known as the “Ivory Queen Of Soul,” her music, with its poetic lyricism, encompassed so many genres—R&B/Soul, Funk, Hip-Hop, Latin, Jazz.  It transcended categorization and race.  If her mission was to bring people together with her gifts, she accomplished it quite well.

Inspired by Smokey Robinson, Al Green, Aretha Franklin,  “Sarah Vaughan, Johann Sebastian Bach, Shakespeare, Maya Angelou, and Nikki Giovanni just to name a few,” Lady Tee’s music was as diverse as her inspirations.  If you listen to her catalog, you’ll hear that she placed no limits on herself or her music.  She went where the spirit moved her.  In a career that spanned over 30 years, the progression was astounding.

While Motown was not initially on board with giving Teena Marie complete creative control, they changed their tune after two successful albums produced by Rick James, Wild and Peaceful (1979), and Richard Rudolph, Lady T (1980).  Marie wrote, produced, and arranged her third and fourth studio albums, Irons In The Fire (1980) and It Must Be Magic (1981).  These albums are regarded as some of her best work, and featured the hit singles “I Need Your Lovin'” (her first top 40 hit), “Young Love,” “Square Biz” (one of the first songs to bring hip-hop to the forefront by melding it with contemporary R&B/Soul music), “It Must Be Magic,” and “Portuguese Love.”  Legal disputes with Motown would later hinder Marie from releasing music.  A lawsuit ensued, resulting in the creation of “The Brockert Initiative,” which made it illegal for record labels to withhold releasing music from their artists while still under contract.

Marie would later leave Motown for Epic Records, where she would go on to release five studio albums—Robbery (1983), Starchild (1984), Emerald City (1986), Naked to the World (1988), and Ivory (1990).  It was with Epic that Marie would achieve her greatest commercial and crossover success, with her platinum-selling Starchild album and its lead single “Lovergirl” (#9 R&B/#4 Pop/#6 Dance).  Naked to the World featured her biggest R&B single “Ooh La La La” (#1), a song that would later be sampled on The Fugees’ 1996 hit single “Fu-Gee-La” (from The Score).  Her final Epic release Ivory, featured the R&B hits “If I Were A Bell” (#8) and “Here’s Looking At You” (#11).  

 Image courtesy of Last.fm

In 1994, Marie independently released the fan-favorite Passion Play on her Sarai Records label.  Though she continued to perform, she devoted most of her time to raising her daughter Alia Rose, a singer and songwriter in her own right known as Rose La Beau (featured on Marie’s Sapphire, Congo Square, and Beautiful albums).  It would be 10 years before releasing her next studio album.

Marie later signed with the Cash Money Classics label, and released two stellar albums, 2004’s La Dona and 2006’s Sapphire.  The gold-selling La Dona was her highest charting album on the Billboard 200 (#6), and featured the Grammy-nominated single “Still In Love” (#23 R&B/#70 Pop) and the sultry, Quiet Storm jam “A Rose By Any Other Name,” featuring the late great Gerald Levert (#53 R&B).  Sapphire featured “You Blow Me Away,” a tribute to Rick James, two duets with Smokey Robinson “God Has Created” and “Cruise Control,” a tribute to Hurricane Katrina victims “Resilient (Sapphire),” and the funky, mellow-smooth lead single, “Ooh Wee” (#32 R&B).

Image courtesy of the Soulbounce site.

Marie’s final studio albums 2009’s Congo Square and 2013’s Beautiful (released posthumously) are arguably two of the finest and most accomplished efforts of her career.  Congo Square featured collaborations with George Duke, Howard Hewett, Shirley Murdock, MC Lyte, Faith Evans, and Rose La Beau (to name a few).  When discussing Congo Square in an interview with Blues & Soul magazine, Marie said,

I wanted to do songs that reflected the things that I loved when I was growing up. Every single song on the record is dedicated to someone, or some musical giant that I loved. ‘The Pressure’ is dedicated to Rick James; ‘Can’t Last a Day’ is dedicated to the Gamble & Huff sound – the Philly International sound. Then ‘Baby I Love You’ and ‘Ear Candy’ are dedicated to Marvin Gaye and Curtis Mayfield – with memories of riding down Crenshaw in LA in jeeps and bumping to music on the 808. While ‘Miss Coretta’ is, of course, dedicated to Mrs. Coretta Scott King, the late wife of Martin Luther King. ‘Solder’ is for the soldiers. ‘Congo Square’ is for Congo Square – it’s for the slaves and the great musical geniuses and giants that have come out of new Orleans, and the great Jazz era. And Louis Armstrong…

Beautiful, the album Marie was working on prior to her passing, is everything the its title implies.  It’s practically a perfect artistic depiction of who she was—an amazing woman and mother, and a versatile, passionate, soulful, ever-changing, multi-talented singer, songwriter, musician, arranger, and producer.  She was a musical genius.

Though she didn’t always get the kudos she deserved from the mainstream, Lady Tee will always be regarded by fans, musicians, and contemporary R&B/soul critics alike as one of the best to ever do it.  Here’s to you Teena Marie! The Tee lives on!

   

Related Post:
“Beautiful,” Teena Marie’s Final Album To Be Released 1/15/2013

Happy Women’s History Month

Author and Spiritualist lecturer, Harriet E. Wilson was the first African American to publish a novel in North America. Her autobiographical novel, Our Nig: Sketches From The Life Of A Free Black, was published in 1859.

Happy Women’s History Month!  During the month of March, we honor all women who’ve made (or are making) significant contributions not only to the fabric of our society but also to the world.  

The origins of Women’s History Month date back to the very first celebration of International Women’s History Day (which is March 8th) in 1911.  In 1981, Congress passed Pub. L. 97-28, which officially recognized the second week of March as Women’s History Week.  Congress, after being petitioned by the National Women’s History Project, passed Pub. L. 100-9, which officially recognized March as Women’s History Month.  According to the Women’s History Month site, “Congress passed additional resolutions requesting and authorizing the President to proclaim March of each year as Women’s History Month” between 1988 and 1994.  March has been observed annually as “Women’s History Month” in numerous proclamations by Presidents Clinton, Bush, and Obama since 1995.

During Women’s History Month, we reflect on the extraordinary accomplishments of women and honor their role in shaping the course of our Nation’s history.  Today, women have reached heights their mothers and grandmothers might only have imagined.  Women now comprise nearly half of our workforce and the majority of students in our colleges and universities.  They scale the skies as astronauts, expand our economy as entrepreneurs and business leaders, and serve our country at the highest levels of government and our Armed Forces.  In honor of the pioneering women who came before us, and in recognition of those who will come after us, this month, we recommit to erasing the remaining inequities facing women in our day. ~ President Barack Obama, Presidential Proclamation – Women’s History Month, 2011

 So let’s take a moment to honor the women past and present who have made tremendous strides for all of us, not just during the month of March, but every day.

Latest MUSED Article – Nielsen Study Highlights Shopping Habits, Buying Power of LGBT Community

Image courtesy of MUSED Magazine Online

Nielsen released some interesting findings from their latest consumer study about the shopping habits and buying power of the LGBT community.  According to Nielsen’s “State of the LGBT Consumer,” same-sex partnered households make 16 percent more shopping trips in a calendar year than the average U.S. household.  Same-sex partnered households also shop more frequently at warehouse club retailers, pet stores, electronic stores, online retailers, and health food retailers.  To learn more, check out my article “Nielsen Study Highlights Shopping Habits, Buying Power of LGBT Community” on MUSED.

MUSED Magazine Online is a pioneering “digital destination for lifestyle, entertainment & culture for modern black gay men.  MUSED serves as a collective of experiences and issues we care about” (see About MUSED).  Its mission is to raise the level of consciousness for our community and provide reliable, relevant, interactive, and engaging content for its readers.  MUSED is the only weekly online magazine for black gay men.

Major thanks and props to Drew-Shane Daniels and the MUSED family for featuring the article! 


Follow MUSED on:  Facebook | Twitter

Follow BuddahDesmond on Facebook | Twitter

Peace, Love, and Many Blessings!

~ BuddahDesmond

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Weekly Musings on Life, Love, and Politics – Week 10

It’s been a little while, but a new set of weekly musings is finally here! Check them out:

  1. Just when we’re thinking of or are at the point of giving up, something miraculous happens…A thought, idea, experience, action, or person inspires us to press on. And just like that, we resume our course–fighting harder than ever before.
  2. It amazes me how quickly misunderstandings arise.  Some of us are so quick to jump to conclusions long before we’ve allowed others to express themselves.  We disrespect others when we cut them off.  We can also make them feel as if we’re discrediting them and that their point of view holds no value or weight with us.  Active listening and thinking carefully before responding are so crucial when we communicate with each other.  It lessens the chances for misunderstandings and potential conflict.
  3. No one is beyond reproach. We tend to pump people up, especially leaders, public figures, celebrities, and even ourselves.  But no matter how good we are or whether we’ve been called the best at what we do, we aren’t too good to be critiqued.  If this was the case, we wouldn’t have performance appraisals or reviews at work.  We also know that as long as we as a race of beings exist, we will talk about and criticize others no matter what.  But there’s a time and a place for it.  And if we’re going to criticize others our criticism should be tactful, relevant, and helpful. (And as the saying goes–if you can dish it then you can take it.) 
  4. Sometimes it’s best to take a step back and let others shine.  Can’t always be in control.  Never should we allow our egos to hold us or others captive.  Under no circumstances should we try to dim others’ light.  Everyone deserves a shot.  How else would we have made it thus far?
  5. Personal decisions are just that.  We should never feel like we have to explain ourselves to anyone.  If those who expect or feel as if we owe them an explanation are in no way impacted by our decisions, then they deserve absolutely NO explanation.

Until next time… Peace, Love, and Many Blessings!

~ BuddahDesmond

80’s Albums That Changed My Life (Part 1)

There’s something about the music of my childhood that continues to influence, shape, and inspire me.  As a child who grew up during the 80s and 90s, I have to admit that the music touched me in ways much deeper than a lot today’s music.  Artists seemed to be more motivated by making music that moved them and that meant something.  They weren’t so much moved by formulas and record sales.  The motivation was their love of music and using their art in innovative ways to share their universal experiences with the world.

For the next few months, I’d like to share some of the albums that changed my life.  The first series of posts will focus on albums from the 80s.  Maybe some of these albums will be favorites of yours too.

Cherrelle – High Priority (1985)

Cherrelle teamed up again with the legendary producers Jimmy Jam and Terry Lewis on High Priority, the follow-up to her successful debut album Fragile (1984).  Their undeniable chemistry, just like with the SOS Band, Janet Jackson, New Edition, Mariah Carey, and Yolanda Adams (to name a few), would generate another bona fide smash in High Priority.  Cherrelle gets down on funky tunes like “You Look Good To Me” (#26 R&B) and “Oh No It’s U Again” (#5 Dance), the sexy mid-tempo groove “Will You Satisfy?,” and the infectious, pulsating “Artificial Heart” (#18 R&B/#5 Dance).  Other notable tunes include the old-school ballad “Where Do I Run To?” (which Cherrelle co-wrote) and the mega-hit, classic duet with Alexander O’Neal “Saturday Love” (#2 R&B/#26 Pop/#13 Dance).  High Priority is memorable not only for its catchy tunes, top-notch production, and Minneapolis-inspired sound, but also because of Cherrelle’s spirited, distinctive performance.  Her sassy yet sweet musical persona is one that fans simply couldn’t resist.  High Priority is easily one of the best R&B albums of the 80s.

Vesta Williams – Vesta 4 U (1988)

If you didn’t know it when you heard her debut album Vesta (1986), then you knew with Vesta 4 U that Vesta could SANG! Vesta 4 U showcased a powerhouse singer-songwriter who could tackle anything, bluesy numbers like “Best I Ever Had,” funky uptempo tracks like “Here Say” and “How You Feel,” sensual slow jams like “Hunger,” and power ballads like “Running Into Memories” and “Make It With You.” She had the type of voice that made you feel everything she was singing.  That’s one of many reasons why she resonated so well with fans, especially on her classic, signature ballads like “Congratulations” and “Sweet Sweet Love.”  With its endearing vignettes and interludes, Vesta 4 U also highlighted Vesta’s commendable dramatic and comedic acting chops.  She was an all-around entertainer.  Vesta 4 U would prove to be one of her most successful albums, with 4 R&B hits “Sweet Sweet Love” (#4 R&B), “Congratulations” (#5 R&B/#55 Pop), “4U” (#9 R&B), and “How You Feel” (#70 R&B).  Vesta 4 U is arguably one of the best R&B albums of the 80s and one the best albums of Vesta’s career.

Janet Jackson – Control (1986)

Singer, songwriter, dancer, actress, and producer Janet Jackson stepped completely out of her family’s shadow and became one of the most influential (and successful) entertainers in music history with her third studio album Control.  A breakthrough personally, musically, and artistically, Control served as a testament of Ms. Jackson’s independence, perseverance amidst personal struggles, pride, and self-actualization. With its ingenious mix of R&B/Soul, funk, hip-hop, pop, and dance music and its innovative use of digital instrumentation, Jackson, Jimmy Jam, and Terry Lewis ushered in “the sound” of contemporary R&B music in the 80s and laid the groundwork for what would become New Jack Swing (and later Hip Hop Soul).  A major crossover success, Control went on to sell over five million copies in the States and over 14 million copies worldwide.  The album produced several enduring hits, “What Have You Done For Me Lately” (#1 R&B/#4 Pop/#2 Dance), “Nasty” (#1 R&B/#3 Pop/#2 Dance), “When I Think Of You” (#3 R&B/#1 Pop/#1 Dance), “Control” (#1 R&B/#5 Pop/#1 Dance),  “Let’s Wait Awhile” (#1 R&B/#2 Pop) and “The Pleasure Principle” (#1 R&B/#14 Pop), and made Jackson the first female artist to chart six top 40 hits from one album on the Billboard 100.  Control has been regarded as one of the best albums of all-time. 

Michael Jackson – Bad (1987)

Fans and critics alike were waiting anxiously to see how Michael Jackson would follow-up such a monster, game-changing, mega-selling album like Thriller (1982). Well, Jackson didn’t disappoint with Bad, his seventh studio album.  Coming with a harder edge in sound, style, and image, Bad was another artistic triumph.  Teaming again with the iconic Quincy Jones, Jackson delivered an innovative set of tunes which, like Thriller, effortlessly blended R&B/Soul, rock, funk, and pop.  Jackson took even more creative control over the direction of his music, writing nine of the album’s 11 tunes and serving as the album’s co-producer.  Sonically and visually, Jackson solidified himself as one of the most extraordinary, creative, and visionary forces in the entertainment industry.  Bad produced several hit singles, “I Just Can’t Stop Loving You” w/ Siedah Garrett (#1 R&B/#1 Pop) “Bad”(#1 R&B/ #1 Pop/#1 Dance), “The Way You Make Me Feel” (#1 R&B/#1 Pop/#1 Dance), “Dirty Diana” (#8 R&B/#1 Pop), “Man In The Mirror” (#1 Pop), “Another Part Of Me” (#1 R&B/#11 Pop), and “Smooth Criminal” (#2 R&B/#7 Pop/#10 Dance).  Jackson became the first artist to garner five No. 1 singles from one album on the Billboard 100.  Going on to sell over eight million copies in the States and over 30 millions copies worldwide, Bad has been cast on numerous lists as one of the best albums ever released.  

Phyllis Hyman – Living All Alone (1986)

It would be three years between the release of Goddess of Love (1983), Phyllis Hyman’s sixth studio album (and final album for Arista Records), and her seventh studio album Living All Alone (her first release on Philadelphia International Records–PIR).  Hyman joined forces with legendary Philly Soul producers Kenny Gamble and Leon Huff for what many consider one of her finest albums.  Full of soulful contemporary R&B and jazz-oriented torch songs, Hyman provides a passionate soundtrack to love, loss, hope, faith, and resilience.  While somewhat melancholy and somber in tone, Living All Alone–like much of her music–paints a realistic, relatable picture of life, love, and relationships.  You couldn’t turn on urban adult contemporary radio between 1986-1987 without hearing “You Just Don’t Know,” “Ain’t You Had Enough Love” (#29 R&B), and her signature tunes “Old Friend” (#14 R&B), and “Living All Alone” (#12 R&B).  Hyman’s vocal performances are stellar and serve as further proof of her status as one of the most revered vocalists and performers of all-time.  After 27 years, Living All Alone remains a contemporary R&B/soul mainstay.

Whitney Houston – Whitney Houston (1985)

Whitney Houston’s self-titled debut album was a monumental, global crossover success.  It was a success I’m sure, even in 1985-1986, that was uncommon for a black female artist–especially in the early stages of her career.  Houston broke barriers and paved the way for many singers, like Mariah Carey, Mary J. Blige, Toni Braxton, Deborah Cox, Brandy, Monica, and Melanie Fiona.  Whitney Houston was the world’s introduction to “The Voice.” Houston’s voice was rich, sensual, angelic, soulful, melismatic, and powerful.  An instrument of such effortless control, wonder, and emotive, interpretive skills, her voice put her in a class all her own.  She delighted on uptempo dance tracks like “How Will I Know (#1 R&B/#1 Pop/#3 Dance)” and “Thinking About You” (#10 R&B) sexy, soulful grooves like “You Give Good Love” (#1 R&B/#3 Pop), inspirational tunes like “Greatest Love Of All” (#2 R&B/#1 Pop) and spine-tingling ballads like “All At Once,” and “Saving All My Love For You” (#1 R&B/#1 Pop).  Whitney Houston went on to become one of the most successful debut albums by a female artist in history.  Spending 14 weeks at No. 1 (Billboard 200) and spawning three consecutive No. 1 singles (Billboard Hot 100) — “Saving All My Love For You,” “How Will I Know,” and “Greatest Love Of All,” Whitney Houston was the first debut album and first album by a female artist to accomplish such a feat.  Selling over 13 million copies in the States and over 25 million copies worldwide, Whitney Houston is regarded as one of the best albums of all-time.

Jody Watley – Larger Than Life (1989)

Jody Watley has always been a trendsetter, whether it be in fashion, dance, music, or videos.  Never one to rest on her laurels, Watley continuously challenges herself and strives to take her artistic vision and expression to new heights.  Larger Than Life, the follow-up to her solo debut album Jody Watley (1987), proved to be no exception.  Reuniting with producer Andre Cymone, Watley co-wrote and produced 11 of the album’s 12 tunes.  Larger Than Life incorporates a hypnotic blend of R&B/Soul, dance, funk, Latin, pop, and hip-hop music.  Watley serves up her A-game with sassy, funky, aggressive  (almost industrial-sounding) tracks like “Once You Leave,” “What ‘Cha Gonna Do For Me,” “L.O.V.E.R.” and “Real Love” (#1 R&B/#2 Pop/#1 Dance), New Jack Swing tracks like “Friends” Featuring Eric B. & Rakim (#3 R&B/#9 Pop/#7 Dance), and passionate, sparse ballads like “Everything” (#3 R&B/#4 Pop/#11 AC), “Only You,” and the beautiful, Latin-tinged “Precious Love” (#51 R&B/#87 Pop).  Watley’s influential single “Friends” is most notable for being the “first multi-format crossover hit to introduce and pair the custom and specialized 16 bar verse with a rapper and singer in Pop music in 1989” (Jody Watley’s Bio)And Watley’s video for “Real Love,” directed by David Fincher, received seven MTV Music Video Award nominations, making it then one of the most nominated videos in history.  Larger Than Life went gold in the States and sold over four million copies worldwide.  Larger Than Life is one of Watley’s top albums and is one of the best albums from the late 80s.

Related Posts:
Running Into Memories: A Tribute to Vesta Williams (1957-2011)
Vesta Williams’ Final Album, Seven, Set for March 2013 Release
All 4 Janet.
Day 91: Happy Birthday Michael Joseph Jackson
The P/H Factor – Phyllis Hyman: Tribute to a Sophisticated Lady
Day 66 – Happy Birthday Phyllis Hyman!
Day 71: Nothin’ But Love For Whitney Houston
Jody Watley is Still a Thrill