Janet Mock and The Power of Defining Ourselves For Ourselves

janet-mock-amos-mac-opmagImage courtesy of Amos Mac of OP Magazine and janetmock.com.

If I didn’t define myself for myself, I would be crunched into other people’s fantasies for me and eaten alive. ~ Audre Lorde

There is freedom in knowing ourselves and defining ourselves for ourselves. There is freedom in living in our light and telling our stories–oft stories that need to be told. When we allow ourselves to be defined by others, our lives are muted, shortchanged, and disregarded. There is no power like that of naming yourself and claiming your truth. This is what Janet Mock has done and continues to do as a fierce writer, advocate, and creator of #GirlsLikeUs, a movement which encourages trans women to live their lives openly and visibly.

In late February, I had the opportunity to attend an intimate talk by Janet Mock at the Martin Luther King Jr. Memorial Library in Washington, DC. This event was part of a book tour in support of Mock’s New York Times bestselling book Redefining Realness: My Path to Womanhood, Identity, Love, and So Much More. The ever-engaging Helena Andrews, journalist, pop culture critic, and author of Bitch Is The New Black, facilitated the talk.

In 2011, Mock came out as a trans woman in the misgendered Marie Claire article, “I Was Born A Boy.” At a very early age, Mock knew what her identity was and that it did not match the sex she was assigned at birth. She always knew she was a girl, even though the world tried to refute, devalue, and silence her true identity through gender policing, heteronormativity, and transphobia. It was a struggle, but Mock was adamant about who she was and was determined to live her life authentically. In no truer words, Michaela Angela Davis told Mock, “You got your girl. You saw who you were and you got her.” And that she did!

Aside from an affirming family, Mock credits community as being pivotal in her path to womanhood. In seventh grade she met her best friend, Wendy, who was also a young trans woman. Mock says Wendy connected her with a community of older trans women who she bonded with. Through them she had examples of what trans womanhood was, which further shaped her identity and what she wanted her womanhood to be.

It was in this community that Mock says other trans women began calling her “Baby Janet” because of an uncanny resemblance to Janet Jackson. During this time, Mock admits being completely enamored with Jackson’s critically acclaimed album The Velvet Rope. The Velvet Rope is a collection of deeply introspective songs, many of which unveiling pain that Jackson held inside for many years. The album touched on depression, self-love, self-worth, sexuality and social issues like homophobia and domestic violence. Mock saw many parallels between Janet’s heartfelt music and her own life. So how fitting is it that she, too, would ultimately name herself Janet.

During the talk, Mock also discussed the notion of privilege and “passing.” In this society, we often place too much emphasis on beauty and attractiveness. Often times, beauty can overshadow a person’s skills, gifts, talents, and experiences. Mock acknowledges privilege in being attractive, but she does not let that define who she is. She says, “I do the work. I will not let people reduce me to a pretty face.” Mock also scoffs at the notion of passing, for she is a woman who is simply being herself.

When it comes to telling your story, Mock says you have to do it first and foremost for yourself. Tell yourself the truth about your experiences. She recommends finding someone you trust to share your story with. When you feel ready, share the story publicly. For young trans women, she says “Shut out all the noise. Tap into your own truth. Find your advocates.” For many of us, it’s crucial that we find our families in the spaces we’re in.

As her journey continues, Mock hopes that her work speaks for itself and that her story is one that opens minds, shifts language, and inspires others to be their authentic selves. When asked by Marc Lamont Hill on HuffPost Live about the message she hopes people take away from Redefining Realness, Mock said, “I think my biggest thing would be to empower girls who grew up like I did. To give them language and access to explain and understand their experiences. For so long, I…blamed myself for a lot of the hardships that I went through and I would like to free them from that. And I hope that the book frees a lot of people to understand these issues more.”

And what can we expect from Mock in the future? More writing, of course. She’s planning to write a book which addresses the beauty myth from the perspective of a black trans woman. She’s also looking into TV as another platform for storytelling.

Janet Mock, thank you for doing the work. Thank you for being the beautiful spirit that you are and for sharing your powerful story with us. Trailblazer, keeping shining!

I believe that telling our stories, first to ourselves and then to one another and the world, is a revolutionary act. It is an act that can be met with hostility, exclusion, and violence. It can also lead to love, understanding, transcendence, and community. I hope that my being real with you will help empower you to step into who you are and encourage you to share yourself with those around you. ~ Janet Mock

PicWithJanetMockII(2252014)

‘Free Angela,’ A Powerful Documentary

I think the importance of doing activist work is precisely because it allows you to give back and to consider yourself not as a single individual who may have achieved whatever but to be a part of an ongoing historical movement. ~ Angela Davis, Frontline (1997)

Seeing the poster for Shola Lynch’s latest film Free Angela And All Political Prisoners is enough to evoke compelling and stirring emotions within anyone.  The image serves as a symbol of pride, justice, and changethe change that comes about from social and political movements.  And the film retells the events surrounding Angela Davis as she fought to clear her name against changes of murder, kidnapping, and conspiracy and the international movement which sought her freedom.

By the late 1960s, Davis was known as a feminist, political activist and leader, and scholar.  She was a professor at the University of California, Los Angeles (UCLA), a member of the Communist Party USA and an associate of the Black Panther Party.   UCLA would later fire Davis because of her involvement with the Communist Party.  She was reinstated after Judge Jerry Pacht of the Los Angeles Superior Court ruled that UCLA could not bar Communists from employment with its institution.  Not satisfied with this, UCLA began a relentless quest for ways in which to fire Davis.  They succeeded on June 20, 1970 citing what they claimed was “inflammatory language” derived from four unique speeches Davis had given.  

In August of 1970, Davis’ world would change again.  She was implicated as a suspect in the kidnapping and murder of a judge in a shootout at the Marin County, CA courthouse.  Davis did not believe she’d receive a fair trial so she fled California.  Believed to be a terrorist, J. Edgar Hoover placed Davis on the FBI’s 10 Most Wanted List.  After a two-month manhunt, she was caught in New York City and brought to trial.  In 1972, Davis was acquitted of all charges by an all-white jury.

Free Angela comes at a time where we (continue to) find our world facing grave struggles with food/hunger, education, healthcare, employment, economic downturns, inadequate housing, the prison industrial complex, and civil rights.  With Angela Davis’ story, we learn about the significance of challenging authority and the power of the collective.  We must not deny or forget about our power as individuals or as a collective.  In fact, if it had not been for the mobilization of the collective during the Women’s Suffrage, Civil Rights, and Black Power Movements (to name a few) the social and political landscape would be quite different.

Free Angela is not only a (long overdue) firsthand account of Angela Davis’ htory, but it also serves as a call to action.  While we may have benefited from the battles won by our forefathers and foremothers, many obstacles lie ahead.  Their stories should serve as a sources hope, inspiration and redemption… Nothing in this world is impossible.  With collective power, we can ignite movements to bring about the social and political change necessary to make our world one that truly lives up to its promise.

Free Angela opens in selects theaters on Friday, April 5, 2013. 

Entry – Black Bloggers Connect Free Angela Blogging Contest

Chaka Khan, A Birthday Tribute to the Queen of Funk-Soul

Image courtesy of Centric.
They tell me I’ve loved Chaka Khan since I was a baby.  Whenever her music was played, I’d apparently get excited, get up in my crib and start dancing.  Even then I was enchanted by this fiery, bold as love, soul sista.  As I got older, my love, respect, and admiration for her and her talent only grew.  She is and will always be one of my all-time favorite singers.   
Through the fire, to the limit, to the wall/For a chance to be with you/I’d gladly risk it all/Through the fire/Through whatever, come what may/For a chance at loving you/I’d take it all the way/Right down to the wire/Even through the fire ~ Chaka Khan, “Through The Fire,” I Feel For You (1984)
I’ll never forget the first time I got to see Chaka Khan live.  It was late November 2011 at The Birchmere in VA.  I was with my partner, mother, and grandmother.  And was it an experience!  While I knew Chaka would bring it like no other, I had no idea the show would impact so deeply.  Within the first few minutes, I was in tears.  Entranced.  Enraptured.  Captivated.  Spellbound.  I was emotionally and spiritually overwhelmed.  Here I was, sitting in the audience being serenaded by someone who I loved all my life.  Her soulful wail pierced my core and I was rendered helpless.  I surrendered to the Queen of Funk-Soul.

Chaka took us on a musical journey, singing a wondrous selection of her greatest hits and covers of tunes by some of her favorite artists.  The concert was as eclectic and vast as her rich catalog.  She sounded and looked better than ever.  It was quite clear to me that Chaka could put many of her peers (past, present, and future) to shame after this concert.  I didn’t want it end (and neither did anyone else).  It was musical bliss.  We could’ve easily spent the rest of the night calling Chaka and her band back for more encores.  But that’s what dreams are made of, right? 

Make my journey, make it short in space/Let me lose this hardness that I got now, Lord/Water, wash away all traces of hate/I will do what you say/If you just show me how, river/…Roll me through the rushes like Moses/Roll me through the rushes/Just like Moses on the Nile ~ Chaka Khan, “Roll Me Through The Rushes,” Chaka (1978)

2013 marks two major milestones for Chaka Khan:  her 60th birthday (March 23, 2013) and 40 years in the entertainment industry.  Chaka will be unveiling a series of projects to commemorate these milestones.  Following the release of the March 16th “Stars Tribute” issue of Billboard Magazine, Chaka launched the 100 Days of Chaka campaign.  Introduced via an Augmented Reality app, the 100 Day of Chaka campaign “marks the 100 days from her birthday (March 23) to the anniversary of the release of her first recorded album with Rufus, Rufus (July 1, 1973) 40 years ago. This timeline will highlight daily, a series of historic moments in Chaka’s career, mixed with celebratory current events.  The 100 Days of Chaka culminates with the release of The iKhan Project: Alive! The Commemorative Edition, in stores July 2″ (Soul Talkin’ With Chaka).  

Later this year, Chaka will release The iKhan Project: Jazz, an album produced by renowned musician and composer Robert Glasper.  Fans can also look out for the I’m Every Woman Tour; television specials; an updated version of Through The Fire, Chaka’s memoir; the relaunch of www.chakakhan.com; the relaunch of Chakalates, her signature gourmet chocolates; the launch of her Khana Sutra candles, and much, much more.  I must say, 2013 is gearing up to be a celebration fit for a legend!  Chaka deserves every moment of it (and then some).

A mama’s cryin’/’Cause another young man has gone and died/He’s not some statistic/He’s another awesome destiny denied/So I’ve got to stand tall/I’m gonna live a super life/For the rest of my life/I’m gonna live a super life/Super life, super life, yeah ~ Chaka Khan, “Super Life,” Funk This (2007)

Happy Birthday and Happy Anniversary, Chaka Khan!  Thank you for sharing your spirit and your boundless gifts with us.  We will forever be moved.  Here’s to a fabulous 2013 and beyond! 

 
Related Post:
Day 47: Black Music Month – Chaka Khan

Happy Birthday Teena Marie

 Image courtesy of the That Grape Juice site.

Music is meant to inspire/To elevate you and to take you higher/Like the prophets spoke words to my soul/Letters of love like silver and gold/…Sign myself to you forever. ~ Teena Marie, “Luv Letter,” Beautiful (2013) 

I spent countless days spinning Teena Marie LPs as a child.  Funny how not much has changed even as an adult.  Her performances on songs like “Cassanova Brown,” “Shadow Boxing,” “Portuguese Love,” “Deja Vu (I’ve Been Here Before)” and “If I Were A Bell” held me captive.  Her sophisticated funk on “Square Biz,” “Lovergirl,” “Playboy,” “Midnight Magnet,” “It Must Be Magic,” and “Behind The Groove” rocked me deeply.  There was something about her that was so special and unique, that it emanated from every note she wrote, played, and sang.  You could feel her soul in each musical thread from 1979’s “Wild and Peaceful” to 2013’s “Beautiful” (her final studio album).  These threads wove a beautiful tapestry that will live on beyond her years.

Her artistry is/was amazing.  Known as the “Ivory Queen Of Soul,” her music, with its poetic lyricism, encompassed so many genres—R&B/Soul, Funk, Hip-Hop, Latin, Jazz.  It transcended categorization and race.  If her mission was to bring people together with her gifts, she accomplished it quite well.

Inspired by Smokey Robinson, Al Green, Aretha Franklin,  “Sarah Vaughan, Johann Sebastian Bach, Shakespeare, Maya Angelou, and Nikki Giovanni just to name a few,” Lady Tee’s music was as diverse as her inspirations.  If you listen to her catalog, you’ll hear that she placed no limits on herself or her music.  She went where the spirit moved her.  In a career that spanned over 30 years, the progression was astounding.

While Motown was not initially on board with giving Teena Marie complete creative control, they changed their tune after two successful albums produced by Rick James, Wild and Peaceful (1979), and Richard Rudolph, Lady T (1980).  Marie wrote, produced, and arranged her third and fourth studio albums, Irons In The Fire (1980) and It Must Be Magic (1981).  These albums are regarded as some of her best work, and featured the hit singles “I Need Your Lovin'” (her first top 40 hit), “Young Love,” “Square Biz” (one of the first songs to bring hip-hop to the forefront by melding it with contemporary R&B/Soul music), “It Must Be Magic,” and “Portuguese Love.”  Legal disputes with Motown would later hinder Marie from releasing music.  A lawsuit ensued, resulting in the creation of “The Brockert Initiative,” which made it illegal for record labels to withhold releasing music from their artists while still under contract.

Marie would later leave Motown for Epic Records, where she would go on to release five studio albums—Robbery (1983), Starchild (1984), Emerald City (1986), Naked to the World (1988), and Ivory (1990).  It was with Epic that Marie would achieve her greatest commercial and crossover success, with her platinum-selling Starchild album and its lead single “Lovergirl” (#9 R&B/#4 Pop/#6 Dance).  Naked to the World featured her biggest R&B single “Ooh La La La” (#1), a song that would later be sampled on The Fugees’ 1996 hit single “Fu-Gee-La” (from The Score).  Her final Epic release Ivory, featured the R&B hits “If I Were A Bell” (#8) and “Here’s Looking At You” (#11).  

 Image courtesy of Last.fm

In 1994, Marie independently released the fan-favorite Passion Play on her Sarai Records label.  Though she continued to perform, she devoted most of her time to raising her daughter Alia Rose, a singer and songwriter in her own right known as Rose La Beau (featured on Marie’s Sapphire, Congo Square, and Beautiful albums).  It would be 10 years before releasing her next studio album.

Marie later signed with the Cash Money Classics label, and released two stellar albums, 2004’s La Dona and 2006’s Sapphire.  The gold-selling La Dona was her highest charting album on the Billboard 200 (#6), and featured the Grammy-nominated single “Still In Love” (#23 R&B/#70 Pop) and the sultry, Quiet Storm jam “A Rose By Any Other Name,” featuring the late great Gerald Levert (#53 R&B).  Sapphire featured “You Blow Me Away,” a tribute to Rick James, two duets with Smokey Robinson “God Has Created” and “Cruise Control,” a tribute to Hurricane Katrina victims “Resilient (Sapphire),” and the funky, mellow-smooth lead single, “Ooh Wee” (#32 R&B).

Image courtesy of the Soulbounce site.

Marie’s final studio albums 2009’s Congo Square and 2013’s Beautiful (released posthumously) are arguably two of the finest and most accomplished efforts of her career.  Congo Square featured collaborations with George Duke, Howard Hewett, Shirley Murdock, MC Lyte, Faith Evans, and Rose La Beau (to name a few).  When discussing Congo Square in an interview with Blues & Soul magazine, Marie said,

I wanted to do songs that reflected the things that I loved when I was growing up. Every single song on the record is dedicated to someone, or some musical giant that I loved. ‘The Pressure’ is dedicated to Rick James; ‘Can’t Last a Day’ is dedicated to the Gamble & Huff sound – the Philly International sound. Then ‘Baby I Love You’ and ‘Ear Candy’ are dedicated to Marvin Gaye and Curtis Mayfield – with memories of riding down Crenshaw in LA in jeeps and bumping to music on the 808. While ‘Miss Coretta’ is, of course, dedicated to Mrs. Coretta Scott King, the late wife of Martin Luther King. ‘Solder’ is for the soldiers. ‘Congo Square’ is for Congo Square – it’s for the slaves and the great musical geniuses and giants that have come out of new Orleans, and the great Jazz era. And Louis Armstrong…

Beautiful, the album Marie was working on prior to her passing, is everything the its title implies.  It’s practically a perfect artistic depiction of who she was—an amazing woman and mother, and a versatile, passionate, soulful, ever-changing, multi-talented singer, songwriter, musician, arranger, and producer.  She was a musical genius.

Though she didn’t always get the kudos she deserved from the mainstream, Lady Tee will always be regarded by fans, musicians, and contemporary R&B/soul critics alike as one of the best to ever do it.  Here’s to you Teena Marie! The Tee lives on!

   

Related Post:
“Beautiful,” Teena Marie’s Final Album To Be Released 1/15/2013

Happy Women’s History Month

Author and Spiritualist lecturer, Harriet E. Wilson was the first African American to publish a novel in North America. Her autobiographical novel, Our Nig: Sketches From The Life Of A Free Black, was published in 1859.

Happy Women’s History Month!  During the month of March, we honor all women who’ve made (or are making) significant contributions not only to the fabric of our society but also to the world.  

The origins of Women’s History Month date back to the very first celebration of International Women’s History Day (which is March 8th) in 1911.  In 1981, Congress passed Pub. L. 97-28, which officially recognized the second week of March as Women’s History Week.  Congress, after being petitioned by the National Women’s History Project, passed Pub. L. 100-9, which officially recognized March as Women’s History Month.  According to the Women’s History Month site, “Congress passed additional resolutions requesting and authorizing the President to proclaim March of each year as Women’s History Month” between 1988 and 1994.  March has been observed annually as “Women’s History Month” in numerous proclamations by Presidents Clinton, Bush, and Obama since 1995.

During Women’s History Month, we reflect on the extraordinary accomplishments of women and honor their role in shaping the course of our Nation’s history.  Today, women have reached heights their mothers and grandmothers might only have imagined.  Women now comprise nearly half of our workforce and the majority of students in our colleges and universities.  They scale the skies as astronauts, expand our economy as entrepreneurs and business leaders, and serve our country at the highest levels of government and our Armed Forces.  In honor of the pioneering women who came before us, and in recognition of those who will come after us, this month, we recommit to erasing the remaining inequities facing women in our day. ~ President Barack Obama, Presidential Proclamation – Women’s History Month, 2011

 So let’s take a moment to honor the women past and present who have made tremendous strides for all of us, not just during the month of March, but every day.