Day 71: Nothin’ But Love for Whitney Houston

Image courtesy of the Vibe Vixen site.
There isn’t a day that goes by when Whitney Houston does not pop into my mind.  Her music plays in my head daily.  The impact of her passing hit me greater than I ever would’ve expected.  But how could it not?  No, we weren’t related.  She wasn’t a close friend or even an acquaintance of mine.  However, there was a familiarity about her spirit and relatability to her music that made me connect with her instantly. I grew up listening to and loving Whitney Houston.  Since the age of 4, I was hooked.  A singer and music lover even then, she influenced me in ways I wouldn’t come to understand, respect, and truly appreciate until much later.  
Houston was a goddess.  Her captivating, larger-than-life voice—pitch perfect, smooth, pure, passionate, and powerful—was the voice of a generation.  I, probably like others, couldn’t get enough.  While studio versions of her songs were pristine, the live versions tended to be paramount.  Practically overnight, she became an awe-inspiring, unstoppable force within the industry.  She broke down barriers and broke records.  She gave hope to so many that they too could achieve their dreams—not only within the entertainment industry but within any industry.  When Houston died, it became all too clear that an era had ended.  While her music and spirit remain with all of us, physically we will never be graced with her presence again.
I’ll never forget the day the news hit.  My spouse and I had just gotten back in the house from hanging out with some friends.  We were planning to go out with another friend later that evening for dinner.  Just before we left the house, we started receiving text messages and phone calls that Whitney Houston has passed.  I didn’t believe it.  I refused to believe it.  So I turned on CNN.  Within moments the news was confirmed.  I broke down.  Almost couldn’t contain myself.  I’m glad my spouse was there to console me.  It truly felt like a portion of my childhood and young adulthood had died with her.  After Etta James’ and Don Cornelius’ passing just weeks prior, Houston’s death seemed to hit home in a very extreme way. 
While some could say that Houston’s death was inevitable given her history of drug use, I don’t think anyone can say that they expected her to go so soon.  I have no intentions of pontificating on her drug use, as I believe the focus on this, her marriage to Bobby Brown, and the latter years of her life have been used to paint a very negative picture of her.  She was human.  She made mistakes, had issues, and went through trials and tribulations just like all of us.  Unless we lived within her, it will be difficult for us to truly know, understand, or be empathetic to what she went through, what she had to sacrifice, and why she did the things she did.  But it’s clear—she did what divine power set out for her to do, and she did it well.  She believed in herself and her talent.  She gave everything her all (and then some).  She relied on her faith in god and the love of her family and friends throughout her life.   And she never forgot where she came from. 
When remembering Whitney, it’s important that we do not let the negative portrayals of her life cloud the beauty of what she gave to the world.  Her legacy is what should be the focal point.  She inspired an entire generation of singers/entertainers and will inspire several generations more to come.  Had it not been for Houston’s many accomplishments, it’s quite possible that the careers of many of today’s beloved stars would be in a completely different place.  She brought joy and light into so many people’s lives.  Let’s celebrate her for that.  I’ve got nothing but love for Whitney Houston.  And I’m sure many of you do, too.   

Day 69: Angela Bofill

 Image courtesy of the Smooth Jazz New York site.


Supreme.  Heavenly.  Soulful.  Passionate.  Angelic.  Gifted.  Beautiful.  Those are just a few of the words that come to mind when I think of Angela Bofill.  An extremely talented singer, songwriter, and musician, Bofill was one of the best vocalists to enter the music scene in the late 1970s.  Combining Latin rhythms with Jazz, R&B/Soul, Dance, and Pop, she created a hypnotic sound and style that set her apart from her peers and has rarely, if ever, been rivaled.  

From her first release Angie (1978) to her most recent release, Live From Manila(2006), it’s evident that Bofill gives her all with each and every performance.  Though technically gifted vocally, Bofill’s emotion always rings true, especially on poignant, heartfelt ballads like “I Try,” “I’m On Your Side,” “Gotta Make It Up To You,” “This Time I’ll Be Sweeter,” “Tonight I Give In,” “Time To Say Goodbye” and “Still In Love” (which was beautifully remade by Vanessa Williams on her 1991 album The Comfort Zone).   Like any versatile performer, Bofill can get down with the best on percussion driven, mid- and up-tempo grooves like “Too Tough,” “Something About You,” “Angel Of The Night,” “Love You Too Much,” and “Is This A Dream.”

Bofill has faced some challenges in recent years, suffering two massive strokes in 2006 and 2007—which left her unable to speak, sing, or walk—and fighting depression.  After years of speech and physical therapy, Bofill is speaking, walking, and playing music again.  In 2010, Bofill began telling the story of her life and career with The Angela Bofill Experience.  This critically acclaimed tour has featured vocalists Maysa, Phil Perry, Melba Moore, Jeanie Tracy, Grammy winning flautist Dave Valentin, and Bofill’s original band.  It’s provided an excellent way for Angela Bofill to reconnect with her fans (and make new ones). 

One thing Bofill hasn’t done publicly yet is sing.  But we hope and pray that as her health continues to improve that we will be blessed to hear that beautiful voice again.  But if not, we are quite happy with the catalog of music she’s recorded.  Given the circumstances, Bofill has remained steadfast, faithful, and strong.  She’s a fighter.  And a legend.  

Bofill was recently featured in season 6 of TVOne’s “Unsung” series.  

Day 67 – Remembering Luther Vandross

As of this month, it’s been 7 years since Luther Vandross’ death.  And I think I can speak for many of his beloved fans (myself included) by saying that we still miss him dearly.  His catalog of music is rich, vast, and seemingly more relevant now than ever.  A true balladeer, Vandross sung about love and relationships with such passion, tenderness, and intensity.  His music touched a cord with many, because there was a soulful sensitivity and vulnerability within his voice that made him immediately relatable.  Like Whitney Houston, Luther Vandross was in a class all by himself.  There never will be another like him.  We will forever sing his praises.

Below, I’ve include a poem featured in my book Prevail written in tribute entitled, “Luther is Love.”

Luther Is Love

Luther—
Or Loofah, as some of us called you—
Still in denial about your passing on,
Doesn’t seem real.
Gone too soon,
But never, ever forgotten.

Luther—
The silky smooth voice,
Flawless,
Full of passion and emotion,
Consummate artistry and professionalism.
A rare commodity,
Especially in the world of contemporary music.
You will remain in a class all your own!

Luther—
Exemplifying class and grace on and off the record.
Media seems to want to “out” you now,
But whatever your sexual orientation, it wasn’t and isn’t an issue.
Media also seems to want to make a big deal about your weight,
But that was just as insignificant with us as well.
It’s the contributions you made that matter;
It’s who you were as a person that matters.

Luther—
You sang in a way that made us feel like you were singing only to us,
Expressing all that we were feeling.
It was a musical connection that became deeply personal and spiritual.
You’ve touched us in so many ways.
For you, we are forever grateful.

Luther—
You spoke of love in all of its splendor.
You are the balladeer of love,
One of the greats.
Your music and spirit will continue to move us eternally.
You will always be loved,
For you are love.

Luther is love!

© 2012 BuddahDesmond

Day 66 – Happy Birthday Phyllis Hyman!

Today would’ve marked the 63rd birthday of legendary singer, songwriter, actress, model, and entrepreneur Phyllis Hyman.  A serious void has been left since her untimely death in 1995.  A singer’s singer, she was one of the greatest interpreters of song to grace the stage.  She had a larger-than-life voice, personality, and presence.  Hyman was a star in every sense of the word.

Born in Philadelphia, PA and raised in Pittsburgh, PA, Hyman was the eldest of seven children.  Inspired by Nancy Wilson, Dionne Warwick, Minnie Riperton, and James Brown, Hyman said she didn’t know she could sing.  But anyone who heard her voice then or now would tell you differently.  Hyman perfected her chops by performing on the club circuit in the early 70’s with groups such as New Direction, All the People, The Hondo Beat, and The P/H Factor.  After leaving The P/H Factor, she moved to NYC and relaunched herself as a solo artist and became the talk of the town.  She initially recorded songs like “Leaving The Good Life Behind” and “Baby (I’m Gonna Love You)” for the Roadshow Records/Desert Moon imprint.  However, it was her work with Norman Connors on his You Are My Starship (1976) album that brought her major mainstream attention.  Their remake of the Stylistics’ “Betcha By Golly Wow” was a major Jazz and R&B radio hit.  The Starship album also united Hyman with Michael Henderson for the first time on their duet “We Both Need Each Other,” another radio hit.

Hyman and Henderson would later have a top-ten R&B hit with their classic duet “Can’t We Fall In Love Again” in 1981 (from Hyman’s album of the same name).  Between the years of 1974 and 1991, Hyman released 8 studio albums (Phyllis Hyman, Sing A Song, Somewhere In My Lifetime, You Know How To Love Me, Can’t We Fall In Love Again, Goddess Of Love, Living All Alone, and Prime Of My Life), starred in 4 films (Lenny, Too Scared To Scream, School Daze, and The Kill Reflex) and appeared on Broadway in Sophisticated Ladies, where her role earned a Tony Award nomination.  Two albums were released posthumously in 1995 (I Refuse To Be Lonely) and 1998 (Forever With You).

Hyman made an indelible mark on the industry and with fans by singing realistic, heartfelt love/torch songs.  She wore her heart on her sleeve.  If she couldn’t feel or relate to the music in some way, she couldn’t sing it.  With songs like “Living All Alone,” “Old Friend,” “Meet Me On The Moon,” “When You Get Right Down To It,” “Somewhere In My Lifetime,” “You Know How to Love Me,” “Obsession” (with Lonnie Liston Smith), and her lone #1 R&B hit “Don’t Wanna Change The World,” Hyman captivated her audience with her signature style and one-of-a-kind voice.

Throughout her life, Hyman battled with bipolar disorder and suffered from alcoholism, along with drug and food addictions.  Hyman’s songs like “Living All Alone,” “Living In Confusion,” “The Sunshine In My Life,” and “I Refuse To Be Lonely,” offered a glimpse into the troubles Hyman had been experiencing.  In Jenice Armstrong’s article “Hyman’s Demons” from the Philadelphia Daily News, Jason A. Michael, author of Strength of a Woman: The Phyllis Hyman Story, said that Hyman ‘”fought so hard to remain in control, but the truth is that she wasn’t…She would get so nervous. She would get so scared. She had a great fear of success because, deep down, she didn’t feel that she really deserved it.”‘  Sadly, Hyman took her life several hours before she was to perform at the Apollo Theatre on June 30, 1995.

She left behind a beautiful legacy of work.  While she may no longer be with us, her spirit will continue to live on in her family, friends, fans, and music.  Happy Birthday Phyllis Hyman!  We miss you!  Goddess of Love, rest in peace!

Check out my previous Phyllis Hyman Posts:

Have a great weekend!

Day 63: Black Music Month – BuddahDesmond

For the last day of Black Music Month, I’ve decided to be a little selfish. It’s all about me! Jazz is one of my favorites genres of music to sing. Anytime I have the opportunity to exercise and enhance my chops, I’m taking it! Here’s a throwback performance from the RIT days of “Georgia On My Mind” featuring Jamil Khan on the keys. Hope you enjoy it! 😀

Day 62: Black Music Month – Syleena Johnson

Syleena Johnson is a Grammy-nominated vocalist, songwriter, and producer.  The daughter of legendary Blues/Soul singer, songwriter, and musician Syl Johnson, she’s proved to be one of the most promising R&B/Soul singer-songwriters in the industry.  She’s a soul singer – point blank. You can’t help but be moved by her powerful, sexy, gritty, and emotional voice.  She has old school sensibilities that flourish in a contemporary soul environment.  Her style can, at times, be reminiscent of of Betty Wright, Millie Jackson, Mavis Staples, and Tina Turner (to name a few).  Since 1999, she’s released 6 albums.  Her most recent release, “Chapter V: Underrated” (2011), was released on her own label—Aneelys Records.  It’s her most ambitious and satisfying album to date.  This summer, Johnson will be featured along with Faith Evans,  Nicci Gilbert (of Brownstone), Keke Wyatt, and Monifah on TV One’s “R&B Divas.”  Shot primarily in Atlanta, the show chronicles their true personal and professional lives as women in the music industry and their tight bond as friends (through it all).

 

Day 60: Black Music Month – Adriana Evans (Redux)

There’s something about Adriana Evans. Listen to any of her five studio albums and you will be spellbound by her rich musical landscape. Her music is an intoxicating mix of classic soul, funk, hip-hop, jazz, rock, Afro-Cuban and Brazilian rhythms. Her voice—an instrument that is reminiscent of the preeminent jazz vocalists of our time—is the soulful, sweet, sublime element that brings everything together. Evans made her self-titled debut album (featuring the singles “Seein’ Is Believing” and “Love Is All Around”) back in 1997 with music that was then being dubbed “neo classic soul.” But even then, it was clear that there was so much more to Evans and her music than that. Her most recent album was 2010’s “Walking With The Night.” If you haven’t already, give Evans music a spin. It won’t be long before you can’t get her hypnotic music out of your mind.

Day 59: Black Music Month – Cassandra Wilson

Cassandra Wilson is a jazz vocalist, musician, arranger, and producer. She’s arguably the best jazz vocalist today. For nearly 30 years, this two-time Grammy winner has mesmerized audiences with her moving, sultry, rich, resonant voice. She inhabits songs. With the slightest nuance or phrase, she can take you places others can only dream of taking you. During her illustrious career, Wilson has expounded upon the jazz songbook with her ingenious interpretations of classic folk, pop, country, soul, and blues tunes. Like the greats before her, she has a distinctive style and can make any song her own. Wilson is a trailblazer that continues to transform and push the boundaries of her talent and jazz music. Her most recent album is the critically acclaimed “Another Country” (2012). 

Day 58: In Remembrance – MJJ (Repost)

The King!

Legend.
Icon.
Innovator.
Trendsetter.
Humanitarian.

You were truly gifted.
An inspiration to many.
You were the greatest entertainer in the world.
Touched so many of us with your heart, soul, and spirit.

There will never be another like you.
So we are grateful that God kept you here as long as he did.
We are sad that you had to go so young.
But it was time.
You were called.
And now peace is finally yours.

You will truly be missed.
Your music and legacy will continue to inspire, uplift, and shape us all.
You will never die.
You will always live on.
We will always love you, Michael Joseph Jackson!!!

~ BuddahDesmond

Day 57: Black Music Month – Robert Glasper

Robert Glasper is a multitalented jazz pianist, composer, producer, and musical director. Though he may immediately be identified as a jazz artist, it’s hard to deny the heavy influence of Hip-Hop and R&B/Soul on his music. He has an ingenious style that has reinvigorated jazz music in ways that very of his contemporaries have been able to. His most recent album, with his band The Robert Glasper Experiment, is entitled “Black Radio” (2012). On this release, Glasper more than proves he’s an artists without limits. The album features smooth, eclectic collaborations with Lalah Hathaway, Musiq Soulchild, Chrisette Michele, Bilal, Lupe Fiasco, Erykah Badu, Ledisi, Shafiq Husayn (Sa-Ra), KING, Meshell Ndegeocello, Stokley Williams (of Mint Condition) and yasiin bey (Mos Def) to name a few. As described on Glasper’s website, Black Radio “boldly stakes out new musical territory and transcends any notion of genre, drawing from jazz, hip-hop, R&B and rock, but refusing to be pinned down by any one tag.” Black Radio is a groundbreaking album that may serve as the blueprint for other artists who want to make great music that challenges the notion of genres and categorization yet resonates deeply with the audience.